巴伐利亚回响——2025上海大剧院歌剧节
Bavarian Resonance: SGT Opera Festival 2025
巴伐利亚国家管弦乐团音乐会
Bayerisches Staatsorchester
时间： 2025年10月3日（周五）19:30
地点： 上海大剧院·大剧场
票价： ￥180、￥280、￥380、￥480、￥580、￥680、￥880
Date & Time: 2025/10/3 Friday 19:30
Venue: Lyric Theatre, Shanghai Grand Theatre
Tickets: ￥180,￥280,￥380,￥480,￥580,￥680,￥880
指挥：弗拉基米尔・尤洛夫斯基
Conductor: Vladimir Jurowski
沃尔夫冈·阿玛德乌斯·莫扎特
《G大调第32号交响曲》，K. 318
《G小调第25号交响曲》，K. 183
理查德・施特劳斯
《蒂尔的恶作剧》，作品 28 号
《玫瑰骑士》组曲
Wolfgang Amadeus Mozart
Symphony in G major No. 32, K. 318
Symphony in G minor No. 25, K. 183
Richard Strauss
Till Eulenspiegel’s Merry Pranks, Op. 28
Suite from the Opera Der Rosenkavalier
时长：约90分钟（含一次中场休息）
Length: c. 90 minutes (incl. one intermission)
* 曲目信息、艺术家及时长或有变动，请以现场演出为准。
* All information on programme, artists and duration is subject to change.
关于艺术家
About Artists
指挥
Conductor
弗拉基米尔・尤洛夫斯基
Vladimir Jurowski
弗拉基米尔・尤洛夫斯基，生于莫斯科，在莫斯科音乐学院开始音乐训练，后在柏林和德累斯顿的音乐学院继续深造。1995年，他在韦克斯福德艺术节执棒尼古拉・里姆斯基-科萨科夫的《五月之夜》，完成了作为歌剧指挥家的国际首秀。同年，他首次登台英国皇家歌剧院执棒《纳布科》。此后，他多次以客座指挥身份亮相纽约大都会歌剧院、米兰斯卡拉歌剧院、巴黎国家歌剧院、莫斯科大剧院、德累斯顿森帕歌剧院以及萨尔茨堡音乐节等知名艺术场所。1997年至2001年，他担任柏林喜剧歌剧院首席指挥，随后担任格林德伯恩音乐节音乐总监至2013年。2007年至2021年，他担任伦敦爱乐乐团首席指挥，此后一直担任该乐团的名誉指挥；自2017年起，他担任了柏林广播交响乐团的首席指挥兼艺术总监。同期至2021年，他也是启蒙时代管弦乐团的首席艺术家，并担任布加勒斯特乔治・埃内斯库国际音乐节和俄罗斯国立模范(斯维特兰诺夫)交响乐团的艺术总监等职。他定期与欧洲室内乐团和“联合柏林”乐团合作。此外，他还曾以客座指挥身份与柏林爱乐乐团、莱比锡布商大厦管弦乐团、德累斯顿国家管弦乐团、苏黎世音乐厅管弦乐团、维也纳爱乐乐团、阿姆斯特丹皇家音乐厅管弦乐团、纽约爱乐乐团以及波士顿、芝加哥、克利夫兰和费城等交响乐团合作。在2015/16演出季，他在巴伐利亚国家歌剧院的学院音乐会上完成首秀，指挥了谢尔盖・普罗科菲耶夫的《第三交响曲》等作品；随后，他指挥了新制作的歌剧《火天使》。在 2020/21 演出季，他还指挥了《玫瑰骑士》的新制作。自2021年起，他担任巴伐利亚国家歌剧院的音乐总监，除了一系列音乐会外，还指挥了《鼻子》《卢丹的魔鬼》《女人心》《战争与和平》《哈姆雷特》《蝙蝠》《乘客》和《莱茵的黄金》等作品的首演。2024年，他被国王查尔斯三世授予大英帝国最杰出勋章荣誉骑士指挥官称号。
Vladimir Jurowski, born in Moscow, began his musical training at the Moscow Conservatory and continued it at the conservatories in Berlin and Dresden. He made his international debut as an opera conductor in 1995 at the Wexford Festival with Nikolai Rimsky-Korsakov's Mainacht. In the same year, he made his debut at the Royal Opera House Covent Garden in London with Nabucco. Since then, he has made guest appearances at the Metropolitan Opera in New York, the Teatro alla Scala in Milan, the Opéra national de Paris, the Bolshoi Theater in Moscow, the Semperoper in Dresden and the Salzburg Festival, among others. From 1997 to 2001, he was First Kapellmeister of the Komische Oper Berlin and subsequently Music Director of the Glyndebourne Festival until 2013. From 2007 to 2021, he was Chief Conductor of the London Philharmonic Orchestra and has been Conductor Emeritus there ever since; he has also been Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin (RSB) since 2017. He is also Principal Artist of the Orchestra of the Age of Enlightenment and was Artistic Director of the International George Enescu Festival in Bucharest and the Russian State Academic Symphony Orchestra “E. F. Svetlanov” until 2021. He regularly collaborates with the Chamber Orchestra of Europe and the ensemble unitedberlin. He has appeared as a guest conductor with the Berlin Philharmonic Orchestra, the Leipzig Gewandhaus Orchestra, the Staatskapelle Dresden, the Tonhalle Orchestra Zurich, the Vienna Philharmonic Orchestra, the Royal Concertgebouw Orchestra in Amsterdam, the New York Philharmonic Orchestra and the symphony orchestras of Boston, Chicago, Cleveland and Philadelphia. In the 2015/16 season, he made his debut at the Bayerische Staatsoper in an academy concert with Sergei Prokofiev's Symphony No. 3, among others; he subsequently conducted a new production of his opera Der feurige Engel. He also conducted the new production of Der Rosenkavalier in the 2020/21 season. He has been General Music Director of the Bavarian State Opera since 2021 and has conducted the premieres of Nos / Die Nase, Die Teufel von Loudun, Così fan tutte, Krieg und Frieden, Hamlet, Die Fledermaus, Die Passagierin and Das Rheingold in addition to a series of concerts. In 2024 he was appointed Honorary Knight Commander of the Most Excellent Order of the British Empire by His Majesty King Charles III.
巴伐利亚国家管弦乐团
Bayerisches Staatsorchester
2023年，巴伐利亚国家管弦乐团迎来了其五百周年庆典，使之成为世界上最古老且最具传统的乐团之一。乐团常驻巴伐利亚国家歌剧院，共计有144名成员，既在乐池中进行演奏，也有舞台上的音乐会演出。2024年，该乐团在《歌剧世界》杂志开展的评论家评选中连续第十次，共计第十二次当选“年度乐团”。此外，凭借其在巴伐利亚国家歌剧院唱片公司录制的作品——歌剧《死城》《雪皇后》以及马勒《第七交响曲》，该乐团在伦敦留声机奖中获得认可，这在留声机奖的历史上是前所未有的成就。
1811年，前宫廷乐团的成员成立了“音乐协会”，该协会通过“学院音乐会”创办了慕尼黑首个公开音乐会系列。直至今日，“音乐协会”及其活动仍在塑造着慕尼黑乃至巴伐利亚自由州的音乐生活。除了在慕尼黑的演出活动，该乐团还开展了众多客座演出和音乐会巡演，定期去往世界各大音乐中心登台亮相。
巴伐利亚国家管弦乐团曾首演多部作品，包括沃尔夫冈・阿马德乌斯・莫扎特的《伊多梅纽》和理查德・瓦格纳的《特里斯坦与伊索尔德》《纽伦堡的名歌手》以及《莱茵的黄金》和《女武神》。许多当时最重要的音乐界人物曾担任该乐团的首席指挥，从赫尔曼・莱维、理查德・施特劳斯、费利克斯・莫特尔、布鲁诺・瓦尔特、汉斯・克纳佩茨布施，到乔治・索尔蒂爵士、约瑟夫・凯尔贝里、沃尔夫冈・萨瓦利什、祖宾・梅塔、长野健和基里尔·别特连科。该乐团与卡洛斯・克莱伯也曾有密切的合作关系。在2021/22乐季，弗拉基米尔・尤洛夫斯基以巴伐利亚首席音乐总监的身份开始接管巴伐利亚国家管弦乐团。
In 2023, the Bayerische Staatsorchester celebrated its five hundredth anniversary, making it one of the oldest and most traditional ensembles in the world. Based in the Bayerische Staatsoper, the orchestra and its 144 members perform both in the orchestra pit and on the concert platform. In 2024, the orchestra was voted Orchestra of the Year for the tenth time in a row and for the twelfth time overall in the critics' survey conducted by Opernwelt magazine and was also honored at the Grammophone Awards in London for its recordings on the Bayerische Staatsoper Recordings label as an opera and symphony orchestra (for Die tote Stadt and The Snow Queen as well as for Mahler's Symphony No. 7) - an unprecedented success in the history of the Grammophone Awards.
In 1811, members of the former court orchestra founded the Musikalische Akademie e. V. association, which established Munich's first public concert series with the Academy Concerts. To this day, the Musikalische Akademie and its activities continue to shape the musical life of Munich and the Free State of Bavaria. The activities in Munich are complemented by numerous guest performances and concert tours, which regularly take the orchestra to the world's most important music centers.
The Bayerische Staatsorchester staged several premieres, including Wolfgang Amadeus Mozart's Idomeneo and Richard Wagner's Tristan und Isolde, Die Meistersinger von Nürnberg as well as Das Rheingold and Die Walküre. Many of the most important musical personalities of their time led the orchestra as chief conductors: from Hermann Levi, Richard Strauss, Felix Mottl, Bruno Walter and Hans Knappertsbusch to Sir Georg Solti, Joseph Keilberth, Wolfgang Sawallisch, Zubin Mehta, Kent Nagano and Kirill Petrenko. The orchestra also had a close relationship with Carlos Kleiber. With the 2021/22 season, Vladimir Jurowski has taken over the management of the Bayerische Staatsorchester as Bavarian General Music Director.
